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The Bristol Old Vic : ウィキペディア英語版
Bristol Old Vic

Bristol Old Vic is a British theatre company based at the Theatre Royal, Bristol. The present company was established in 1946 as an offshoot of the Old Vic in London. It is associated with the Bristol Old Vic Theatre School, which became a financially independent organisation in the 1990s. Bristol Old Vic runs a popular, and highly successful Young Company for young people aged 7–25.〔(【引用サイトリンク】title=Education Overview )
The Theatre Royal, the oldest continually-operating theatre in England, was built during 1764–66 on King Street in Bristol. The Coopers' Hall, built 1743–44, was incorporated as the theatre's foyer during 1970–72. Together, they are designated a Grade I listed building by Historic England.〔(【引用サイトリンク】 work=Images of England )
In 2012 the theatre complex completed the first phase of a £19 million refurbishment, increasing seating capacity and providing up to ten flexible performance spaces. Besides the main Theatre Royal auditorium, the complex includes the Studio theatre and the Side Stage, Paint Shop and Basement performance areas. Whilst the theatre was closed, the company continued to present work in the Studio and Basement spaces, as well as at other sites around Bristol. The Theatre Royal re-opened in autumn 2012 with ''Wild Oats''.
==History of the theatre==
The theatre is situated on King Street, a few yards from the Floating Harbour. Since 1972, the public entrance has been through the Coopers' Hall, the earliest surviving building on the site. The Coopers' Hall was built in 1744 for the Coopers' Company, the guild of coopers in Bristol, by architect William Halfpenny.〔
〕 It has a "debased Palladian" façade with four Corinthian columns. It only remained in the hands of the Coopers until 1785, subsequently becoming a public assembly room, a wine warehouse, a Baptist chapel and eventually a fruit and vegetable warehouse.
The theatre was built between 1764 and 1766.〔 The design of the auditorium has traditionally been taken to have been based, with some variations, on that of the Theatre Royal, Drury Lane in London.〔Mark Howell has shown that, when built, Bristol's New Theatre measured 6 rods (roughly 100ft) long and 3 rods (roughly 50ft) wide, comparable with the known dimensions of Drury Lane. Also like Drury Lane, open yard space, measuring between 5 and 20ft, surrounded the New Theatre on three sides.(【引用サイトリンク】title=Theatre Royal (Bristol) – The Theatres Trust )〕 Although Bristol architect Thomas Paty supervised construction, the theatre was built to designs by James Saunders, David Garrick's carpenter at Drury Lane. Saunders had provided drawings for the theatre in Richmond, Surrey, built in 1765. A long section (1790, at Harvard University Theatre Collection) and a survey plan (1842, at the Local Studies Library) of the Richmond theatre show close similarities with the Bristol theatre in the proportions and in the relationship between the actors on stage and the spectators surrounding them on three sides.〔(【引用サイトリンク】url=http://www.studioaba.co.uk/Andrzej_Blonski_Architects/Bristol_4_files/Phase%204.pdf )〕 The site chosen was Rackhay Yard, a roughly rectangular empty site behind a row of medieval houses and to one side of the Coopers' Hall. Two (and possibly three) new passageways built through the ground floor of the houses fronting King Street gave access to Rackhay Yard and the "New Theatre" inside it.
The theatre opened on 30 May 1766 with a performance which including a prologue and epilogue given by David Garrick. As the proprietors were not able to obtain a Royal Licence, productions were announced as "a concert with a specimen of rhetorick" to evade the restrictions imposed on theatres by the Licensing Act 1737. This ruse was soon abandoned, but a production in the neighbouring Coopers' Hall in 1773 did fall foul of this law.〔

Legal concerns were alleviated when the Royal Letters Patent were eventually granted in 1778, and the theatre became a patent theatre and took up the name "Theatre Royal".〔 At this time the theatre also started opening for the winter season, and a joint company was established to perform at both the Bath Theatre Royal and in Bristol, featuring famous names including Sarah Siddons,〔
〕 whose ghost, according to legend, haunts the Bristol theatre. The auditorium was rebuilt with a new sloping ceiling and gallery in 1800. After the break with Bath in 1819 the theatre was managed by William M'Cready the elder, with little success, but slowly rose again under his widow Sarah M'Cready in the 1850s.〔 Following her death in 1853 the M'Creadys' son-in-law James Chute took over,〔
〕 but he lost interest in the Theatre Royal, which fell into decline when he opened the Prince's Theatre, originally known as the New Theatre Royal,〔
〕 in 1867. A new, narrow entrance was constructed through an adjacent building in 1903.〔

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